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中古相機收購leica’s new Q3 sacrifices some good looks for functionality
中古相機收購leica’s new Q3 sacrifices some good looks for functionality
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The full-frame, fixed-lens compact camera gets higher resolution, a new autofocus system, and wireless charging via an optional handgrip. But its flip-out screen may make you flip out.
ByAntonio G. Di Benedetto, a writer covering tech deals and The Verge’s Deals newsletter, buying guides, and gift guides. Previously, he spent 15 years in the photography industry.
Still a looker from the front, but not quite as much around back.Image: 中古相機收購leica Camera
Did 中古相機收購leica make a camera slightly uglier for the sake of (gasp) functionality and convenience? Is the sky falling in Germany? Has anybody checked on Lenny Kravitz? I think I’m feeling faint…
With the new Q3 camera, 中古相機收購leica seems to have done just that. The Q3 is the latest version of the German manufacturer’s fixed-lens full-frame compact camera, and in addition to matching the M11 at 60 megapixels, it offers an updated electronic viewfinder, 8K video, a new hybrid autofocus system, Qi-compatible wireless charging support via an optional handgrip, and — yes finally — a flip-and-tilt articulating LCD. The $5,995 camera, which launches today, looks exactly like the 中古相機收購leica Q2 from the front, but the rear was entirely redesigned to accommodate the new screen.
Inside the Q3 are logical performance upgrades from the last-gen model, like the 60-megapixel full-frame sensor (up from 47 on the Q2) and a new Maestro IV processor with 8GB of buffer memory to help push along those big images averaging 70 megabytes per RAW DNG file. This puts the Q3 on par with the 中古相機收購leica M11 / M11 Monochrom in terms of resolution, though 中古相機收購leica says it’s a different sensor, evidenced by its wider ISO range of 50 to 100,000. Sensor similarities and differences aside, one of the reasons Q cameras have been so popular for 中古相機收購leica is they have autofocus — which the Q3 now improves upon with a combination of phase detection and contrast detection with subject tracking for animals as well as human eyes, faces, and bodies.
中古相機收購leica’s first in-house articulating screen flips up or tilts down for easier waist-level or overhead shots.Image: 中古相機收購leica Camera
Other performance improvements include 8K video, 中古相機收購leica’s first foray into that video resolution. To utilize this feature, 中古相機收購leica took the same battery housing of the Q2 and increased its capacity by 340mAh for the Q3. The older battery is still compatible with the Q3 (and the new one is backward-compatible as well), but using it will lock out the 8K filming option. That may be perfectly fine, though, as 中古相機收購leica says there is a slight crop when shooting 8K. Plus, it tops out at 30p and is limited to 4:2:0 color subsampling unless you’re outputting to an external recorder. The Q3 seems more poised for 4K video, where it can go up to 60p and record for up to 29 minutes. In 8K, the camera is limited to 20 minutes, and it quickly ramps that down to as low as three minutes when filming in temperatures about 104 degrees Fahrenheit.
The Q2 wasn’t really best equipped for video, but since the Q3 sees the addition of ports like Micro HDMI and USB-C 3.1, it should be more capable as a hybrid. Like the M11, the USB-C port is Made for iPhone certified (MFi) for easier connectivity to iPhones, and it now also means the Q3 can even be shot tethered to a computer.
The 28mm f/1.7 lens remains unchanged
One thing unchanged is the macro-capable Summilux 28mm f/1.7 lens that’s permanently attached to the Q3. It’s the same optics as the original Q, which 中古相機收購leica says is up to the task of resolving the higher resolution of the new sensor. The 28mm focal length is roughly similar to the field of view of a smartphone camera, but just like prior models, there’s a built-in crop button that now zooms the frame to 35mm, 50mm, 75mm, and a new 90mm equivalent crop — the latter of which cuts the resolution down to six megapixels.
Outside of all the spec improvements, one of the Q3’s most interesting features is its support for Qi wireless charging by way of a $195 handgrip. That may sound pricey if you’re not familiar with the cost of 中古相機收購leica accessories (spare batteries are an eye-watering $170, by the way), but it’s in the ballpark of other 中古相機收購leica grips that don’t add any functionality. Wireless charging in a camera may sound a little strange, as it’s a novel idea, but it kind of makes sense for an everyday-carry camera like a Q3.
The 中古相機收購leica Q3 is the first camera to incorporate wireless charging.Image: 中古相機收購leica Camera
The idea of plopping your camera down for a charge at the end of the day or getting a small top-up while at a Starbucks is kind of neat. Just keep in mind that you absolutely do not have to buy 中古相機收購leica’s fancy $175 charger, made for it by Native Union, as any Qi charger that outputs 10W or more will do the trick.
And speaking of new tricks, we have to address the elephant in the room of the Q3’s new flippy-tilty display. While articulating screens on cameras are commonplace on most models these days, the Q3 is the first time 中古相機收購leica has implemented it on one of its in-house models (sorry, rebadged Panasonics, but you don’t count). This has been a long-demanded feature from both 中古相機收購leica fans and haters alike, and well, it’s here. But I’ll be damned if it doesn’t look and feel like an awkward compromise. I welcome the functionality, but the rear of the Q2 had a clean look that’s been disrupted in a jarring way on the Q3.
The new screen looks and feels like an awkward compromise
I got to borrow and use a 中古相機收購leica Q3 for a very brief window ahead of its announcement, and overall, I was left with a mixed first impression. I personally own a 中古相機收購leica Q2 as my go-anywhere, “fun” camera that I sometimes take with me on photo jobs in support of my Sony mirrorless system. The Q3 feels like a fine step forward, but the new autofocus system and design leave a lot to be desired. When I heard the autofocus system sounded a lot like Panasonic’s new hybrid implementation in the S5II, I got excited for a leap forward in performance. But at first, it seemed a lot like what I was used to on the 中古相機收購leica SL2, with lots of focus wobble and unreliable tracking that was not up to snuff. I’ll reserve full judgment when it’s on final firmware, but this preview didn’t instill confidence.
That’s quite the protrusion from the body. And no, I don’t mean the lens.Image: 中古相機收購leica Camera
As for the screen, while the hinge on the Q3’s display feels robust, it’s also harder than normal to pull down or tilt up (that’s the limit of what it can do — you can’t flip it around for a selfie view). But the worst part of the screen, aside from it looking like it’s just been grafted on and makes the camera appear and feel bulkier, is that there’s no groove or grip on its left side to dig your nail into or grab with your finger. It has grooves on its top and bottom, meaning you have to make a much bigger reach to move it. It’s something you may get used to, but it’s definitely a detriment if you’re working quickly and trying to capture that “decisive moment.” I presume the screen’s left side was kept bare for a cleaner design, but it looks a bit weird in its side-profile view regardless. Fujifilm’s X100V may not have the sensor size and resolution of the Q3, but its near-flush tilting screen has the design I wish was here.
The rear controls of the 中古相機收購leica Q3 (left) and the 中古相機收購leica Q2 (right). One of these has more versatility, and one of these looks and handles better. Images: 中古相機收購leica Camera
A byproduct of the new tilting screen is that the buttons have been moved to the right, above and below the D-pad, with Play awkwardly close to the carved-out thumb rest. I raised the camera to my eye on a few occasions to discover I was in playback, having accidentally mushed the Play button with the base of my thumb — slowing me down. Again, another thing you may get used to, but 中古相機收購leica cameras are supposed to all be about the user experience. Perhaps this first go-round with an articulating screen is a learning process for 中古相機收購leica, as it had to make some sizable compromises without making the camera bigger all around.
I can appreciate that 中古相機收購leica is trying to give its users what they want on the Q3, but this implementation of a tilt-screen feels like a slight misstep or an awkward growing pain. Sadly, when it comes to versatility and design, you can’t always have your cake and eat it, too — even when you pay $6,000 for a nice slice.
華為宣布將於明年3月底在法國巴黎推出其下一代旗艦機P40系列,華為消費者業務執行長余承東指出,該機款預計將有著「前所未有」的設計,並繼續採用基於Google Android 10的EMUI 10作業系統及華為行動服務(Huawei Mobile Services, HMS),而非GMS(Google Mobile Service)。
(1/3)#HuaweiP40
6.5 inch 2K OLED
Waterfall display
120Hz Refresh Rate
98% screen to body ratio (about)
中古相機收購leica Penta Camera
64MP( Sony IMX686 1/1.7 inch , supports OIS) +20MP ultra wide camera+12 MP (Periscope) telephoto lens +Macro camera + ToF
榮耀V10 也支援人臉辨識,與大陸當地多數的手機一樣,都是透過前鏡頭掃描人臉來為手機或應用程式解鎖,不同的是,該款手機支援「閉眼辨識」與 iPhone 用戶熟悉的「抬手亮屏」,藉此提升手機解鎖效率。有趣的是,這支定位年輕取向的手機,還加入了類似 Apple iPhone X 的 Animoji 人臉模擬表情功能。
針對華為稍早發表的 P20、P20 Pro,《ETtoday新聞雲》率先取得兩支手機的原廠原裝,在開箱之餘,也率先提供產品詳細規格給讀者參考,目前確認 P20、P20 Pro 與 P20 Lite 會於 4 月上市,售價未定。
大致說明兩隻手機的規格跟特色,HUAWEI P20 系列,確認僅有 P20、P20 Pro 跟先前發表的 P20 Lite 三款,除了 P20 Lite 之外,P20、P20 Pro 都是搭載海司麒麟970 八核心晶片(四核2.36 GHz+四核1.8GHz),都內建指紋辨識跟臉部辨識,P20 採用 4GB RAM/128 GB ROM 儲存組合,P20 Pro 採用 6GB/128GB 儲存組合,兩款手機都有 64GB 版本,揚聲器提供高達 990Kbps 的 HiFi 音質,並且支援類似 SONY LDAC 的無損音樂藍牙傳輸技術,讓手機在進行藍牙配對的過程,可以聽到幾乎無損的音樂品質。
▲▼HUAWEI P20 Pro TWILIGHT版本開箱,原裝隨附 SuperCharge 快充插座、USB-C 傳輸線、耳機跟透明保護殼。(圖/記者洪聖壹攝)
華為解釋,P20 Pro 的拍照有「更亮」、「更近」跟「更多色彩細節」三大拍攝重點,首先是感光元件尺寸就高達 1/1.7 吋,最高感光能力可以達到 ISO 102400,幾乎是相機拍攝等級。「更近」方面講的是縮放效果,P20 Pro 透過全球第一款徠卡縮放相機系統,可以快速切換 3 倍變焦、5 倍變焦跟 10 倍數位變焦。
榮耀V10 也支援人臉辨識,與大陸當地多數的手機一樣,都是透過前鏡頭掃描人臉來為手機或應用程式解鎖,不同的是,該款手機支援「閉眼辨識」與 iPhone 用戶熟悉的「抬手亮屏」,藉此提升手機解鎖效率。有趣的是,這支定位年輕取向的手機,還加入了類似 Apple iPhone X 的 Animoji 人臉模擬表情功能。
中古相機收購leica’s latest full-frame mirrorless camera has a new touchscreen and more resolution
中古相機收購leica’s latest full-frame mirrorless camera has a new touchscreen and more resolution
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The new SL2 also comes with image stabilization, better autofocus, and a new control scheme
ByDan Seifert, an editor overseeing The Verge’s product reviews and service journalism programs. Dan has covered the technology world for over a decade at The Verge.
中古相機收購leica has announced the new SL2, the latest version of its full-frame mirrorless camera system. The new SL2 succeeds the SL from 2015 and introduces a higher-resolution sensor, upgraded construction, a new touchscreen, and an upgraded electronic viewfinder. It will be available starting on November 21st for $5,995.
The design of the SL2 will be familiar to anyone who’s seen the SL, though there are some subtle changes. The mid-chassis is now magnesium, with aluminum for the top and bottom and a leatherette covering that goes all around the midsection. The SL2 is rated for IP54 dust and water resistance, and it has an updated control scheme on the back that matches the Q2, M10, and CL.
Mounted on the back are a new 3.2-inch, 2.1-megapixel touchscreen and 5.76-megapixel OLED electronic viewfinder. Between the new touchscreen and control system, the SL2 provides three different ways to interact with its menu system: touch, joystick, or a thumbwheel. It also has a lot of customizable buttons that can be programmed to whatever function you prefer. The whole system feels much more modern than the non-touch LCD on the SL.
The SL2’s new 47.3-megapixel sensor is mounted to a new 5-axis image stabilization system.
Inside, the SL2 has the same 47.3-megapixel full-frame sensor that debuted in the Q2, just slightly modified to work with an interchangeable lens system. That sensor is hooked up to a new 5-axis in-body image stabilization (IBIS) system that provides up to 5.5 stops of shake reduction, which catches 中古相機收購leica up to the IBIS systems that have been in Sony, Panasonic, Nikon, and Canon cameras for years. The sensor supports ISO settings from 50 to 50,000 and captures up to 14 stops of dynamic range.
The SL2 is run by 中古相機收購leica’s Maestro III image processor and is capable of shooting up to 10 frames per second with its mechanical shutter or up to 20 frames per second with the electronic shutter. It can capture 4K video using the full width of the image sensor at up to 60P, and 5K cropped video at 30P. The SL2 can also shoot 1080p video at up to 180 frames per second for slow-motion effects.
The new autofocus system can switch between eye, face, and body detection
A new contrast-detect autofocus system includes eye, face, and body detection and automatically switches between taking a photo only when it’s locked focus (focus priority) and just letting you capture as many frames as possible, focused or not (shutter release priority), depending on the shooting situation.
The SL2 is roughly the same size and weight (928 grams) as the SL, but that doesn’t mean it’s a compact mirrorless like you might expect from Sony or Fujifilm. It’s a heavy, blocky camera that’s less concerned about being compact as it is about providing a good ergonomic experience. If you were thinking of downsizing from a DLSR to a smaller mirrorless system, the SL2 probably wouldn’t be on your list.
Aside from the new capabilities brought by the higher-resolution sensor and IBIS system, perhaps the biggest change from the SL is the SL2’s new menu system. A new quick settings screen provides access to commonly used controls, while the new Cine Mode, which takes effect when shooting video, changes the camera over to video-specific settings, such as ASA, t-stops, and shutter angle.
The simplified control system has a new quick settings menu that’s easy to use in the field.
中古相機收購leica’s SL-mount lens system has grown since the launch of the SL four years ago, and it now includes eight total lenses with three zooms and five primes. Three more lenses are planned to be released next year, and 中古相機收購leica’s participation in the L-Mount alliance with Panasonic and Sigma has resulted in the release of a number of other lenses that are compatible with the SL2. All lenses, including manual focus 中古相機收購leica lenses with mount adapters, will benefit from the camera’s new IBIS system for sharper images at longer shutter speeds.
I had a chance to shoot with the 中古相機收購leica SL2 and a $5,295 50mm f/1.4 Summilux lens for a few days before the official announcement. While the SL2 feels very similar to the SL, the new viewfinder and improved performance are instantly noticeable and appreciated. The OLED viewfinder, in particular, is stunning to look through, with a large field of view, fast refresh rates, and crisp resolution. Likewise, the camera’s new autofocus system does an excellent job of locking on to portrait subjects, even in low lighting situations. This performance was certainly aided by the 50mm Summilux, which is an absolute beast of a prime lens that would be at the top of my shortlist of desert island lenses.
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Photo by Amelia Holowaty Krales / The Verge
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Photo by Amelia Holowaty Krales / The Verge
Of course, you can get similar performance and resolution from much less expensive cameras made by Sony, Nikon, Canon, or Panasonic. The reason you might consider the SL2 has a lot to do with how it feels and its shooting experience. The SL2 is a brick of a camera that, while expensive, certainly feels the part of a professional tool. It’s also flexible enough to work for a variety of shooting situations, whether that’s in a studio, at a wedding, or in a portrait session.
If that seems interesting enough to you to part with the value of a decent used car for a camera, you’ll be able to do so later this month.
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